I read the Kenneth Williams Diaries many years ago, and this review is from memory and how I felt about them at the time. As time goes by, memory can often be unreliable, though.
But I remember the reason I read this book. In the 1960s, '70s and '80s, everyone knew about, and probably watched, the Carry On films. Repeated endlessly, especially at Christmas (they still are), it presented the naughty side of British life. Not to everyone's taste, of course, but they were very popular.
I wanted to know what it was like on the set of the Carry On films. They looked like they were having a good time. And they were the films for which he is best known, but in his diaries, Williams is somewhat dismissive of them. He doesn't hold back.
His own view of them was less than complimentary.
They were bawdy and full of typical British innuendo. Seaside postcard humour on film. He probably saw them as below him, a classically trained actor. They were a job of work, and they didn't always pay that well. In the modern era, where successful actors are often paid millions, the stars of the Carry On films were lucky to be paid a few thousand pounds a film. In the diaries, he makes it clear how he felt about that.
I don't think he liked them, but took the job because even though they didn't pay much, it was acting work and a payday. He also enjoyed working with several actors who regularly appeared alongside him in those films.
Despite its 850-plus pages, the diaries are just a snapshot of Williams' life. He kept a diary for more or less every day of his adult life. The volumes sat there in his home, and after he died, it was Russell Davies who took on the job to condense them down to the book that we get to read.
I did wonder what it would be like to read all of them, though. Davies probably had to go through a lot of mundane, everyday life entries to get to the good bits. There was so much of it; one 850-page book is the tip of the iceberg.
In fact, Williams was prolific when it came to writing about his own life. Not just his diaries, he also wrote several books, including an autobiography, Just Williams, and Acid Drops. He also wrote Back Drops, which featured pages from his diaries — but not the controversial bits.
In the world of showbiz, his diaries were well known. Many wondered what he had written about them, more so after he died. The diaries are a sort of confession of what he really felt. On the set of the Carry On films, he would occasionally tell someone, "You are going in my diary." Maybe in fun, maybe not.
Did Williams write them knowing that one day they would be made public? No one really knows. Diaries are, by definition, often very personal, meant to be kept secret. The only person who read his diaries while he was alive was Williams himself.
As he got older, the diaries show his insecurities, especially around his health. His sad end, and the mystery of how his life ended (certainly at the time), is there for all to see. He does occasionally write, "What's the point?” It's almost a cry for help, one that he would never say in public.
The impression from the diaries was that he felt he was capable of achieving more than he did. And his last entries are somewhat sad — unlike a Carry On film.
But I do think it helps to have seen the “public” face of Williams to really appreciate the other side of his character that comes out in his diaries. He could be a difficult man who would sometimes take an instant dislike to someone. And when he appeared on the BBC's Just a Minute radio show, you could hear in his voice that he lost his temper occasionally.
If you are expecting jolly japes and all fun and games from his diaries, you will be disappointed. They are of the "warts and all" variety. A fantastic read, though, even the mundane bits. It is a book that I am happy to give five stars to.
And if I live long enough, I might just read it again some time.
Edited and updated, 06 March 2026 (and sometimes my memory reminds me of something worth adding).




