Ageing or ageing — that is the question.
Grammar — does it matter?
A positive response.
A few minutes later, you receive the most sceptical or derisive response imaginable.
“It was fine, but don’t you think that it was, a little, pie in the sky?”
To let you down gently, the boss might suggest that while it sounds appealing, your plan rests on unrealistic assumptions or unlikely future events.
Or, you are a writer that has just spent six months writing a book, only to be told it is unrealistic, “pie in the sky”. I think most publishers would probably let down the writer more gently than that.
Origins and History
“Pie in the sky” is an English idiom meaning a promise of good things that are unlikely to be realised.
It can be traced back to the early 20th century when the US labourer, activist, and writer Joe Hill wrote the song “The Preacher and the Slave” (1911). It was a parody of the hymn “In the Sweet By-and-By” and was meant as a criticism of religious leaders who encouraged workers to accept suffering now for heavenly rewards later.
The song included the lines:
“But there’ll be pie in the sky by and by when I die…”
Hill’s use linked the idea of a comforting but empty promise, that of spiritual consolation for material hardship, to the phrase “pie in the sky”.
From there, the expression entered broader political and everyday speech in both the U.S.A. and Britain. Critics of ungrounded reform proposals, utopian schemes, or empty political rhetoric would use it to show that proposals or plans seemed far-fetched.
Over the 20th century the phrase became a more general idiom for any impractical promise.
It could be used to critique plans. “Their budget relies on pie-in-the-sky revenue projections.” Or to put down a proposal. “A pie-in-the-sky energy plan won’t solve short-term shortages or prices going up.” And how often have we heard, “Voters were warned not to fall for pie-in-the-sky campaign pledges”?
I’m attracted to creative non-fiction because it allows me to write about subjects normally found in books written by academics with letters after their name. My writing often touches on historical events or the way life was in the past. It’s a lived experience, why not write about it?
Adding the personal touch moves the story away from something that looks like writing from a text book. The writing becomes a personal account, with real-life history as the backdrop. The events and the people involved are real. The emotions and experiences come from life as it was lived.
At its heart, creative non-fiction writing is about telling true stories using the techniques of good storytelling. But the writer looks to shape the story with care, using a narrative structure to make the story engaging and meaningful for the reader.
It can be one of the most personal forms of writing.
Unlike fiction, where characters and situations are typically invented, creative non-fiction requires the writer to work with reality. Memory becomes an important source of material, as do personal observations. Everyday experiences, and the moments that may have seemed insignificant at the time, can reveal something deeper when revisited.
There is something to be said for the quality of how ordinary life can be. Putting it into words in a story that means something is the difficult bit. It could be anything. A walk through an unfamiliar neighbourhood, a childhood memory, or even a conversation overheard on the bus. All of these might seem ordinary at the time but can become the foundation of a piece of creative non-fiction.
One story can, and I find frequently does, lead to another. They are stories within stories. It is essential that good creative non-fiction does more than simply recount events.
When I was at school, writing about historical events was presented in order, one after another. I think it was called ‘learning by rota’. It refers to a type of learning through repetition and often involves memorisation of dates and facts.
An idea crossed my mind.
Writers often move through life with a slightly different perspective from everyone else. It is not necessarily something that the writer chooses. In many cases, it simply happens over time. The more a person writes, the more they begin to observe the world in a way that others might overlook.
And I asked myself the question, ‘Why?’
I am a latecomer to the world of writing. Five years ago, writing was just something that I did when I had to. Social media, blogs, and bulletin boards were not something that had taken over my life. I did occasionally write a post here or there, but I felt that I had better things to do with my time. As a form of writing, though, it was all very fleeting.
And then I wrote a book, Son of My Father.
I wrote it because after the death of my mother, I went through the experience of thinking about the past. Memories and stories started to fill my mind in a way they hadn’t before. Then I had a thought. I decided to write about them.
From that moment I was hooked on writing.
I came to think that writing about life changes the way we observe it. A writer does not just experience events; we notice them. Even small details become important. Watching how someone pauses before answering a question, or noticing the exact phrase used in a conversation and the tone behind it. Being aware of the language used, the mood in the room, and how people react. It doesn’t have to be dramatic, but it carries meaning.
Have you ever said, or heard, the words, “…last night I was burning the midnight oil”?
Burning the midnight oil, or to burn the midnight oil, means to work late into the night. It involves doing something that requires effort, concentration, and often a deadline that can’t be missed.
Imagine the scene.
Picture someone bent over a desk long after the rest of the household has gone to bed. The laptop is open, a clock ticking away into the night. It’s late, and you are determined to finish what you started, maybe hours before. So determined it outweighs the fatigue that is beginning to make you sleepy. It is something I have done; the hours seem to fly by once you convince yourself that you are nearly there and the end is in sight.
It might be a work project. The student might have an essay to write, or an exam approaching. If you are a writer, it is typically an article, story, or chapter that you want to finish. Whether it’s for work, studying, or writing, the decision to keep going late into the night suggests an important task.
Something that you want to see finished.
The determination needed can lead to admiration. “She’s been burning the midnight oil to finish her novel.”
Or a little concern. “You can’t keep burning the midnight oil every night. It’s not good for you.”
And burning the midnight oil can take its toll as the hours tick by. That advice telling you of the importance of getting eight hours of sleep is regularly put to one side. You look at the clock, and it’s two in the morning, and yet you know that you have to be at work by nine.
You will be lucky to get five hours’ sleep.
It speaks of dedication.
Where Did It Come From?
It’s a phrase that dates back before electricity provided light for our home and office. It was a time when candles or oil lamps were the only way to see after dark. They quite literally had to burn oil to see what they were doing.
So, it’s back to the drawing board.
My mother might have been an idiom expert. She would use them all the time in everyday conversation. I think many of us, of a certain generation, do just that.
After something went wrong, I would often hear her say. “Well, it’s back to the drawing board then.”
When I was very young, I might wonder where or what this “drawing board” was. Whatever it was, we didn’t have one.
It’s a familiar idiom that is used when a plan hasn’t worked out as expected. It means we must start again from scratch. It carries a sense of disappointment with it, but it suggests not giving up. Time to have a rethink and try again.
I no longer post on Medium as much as I once did. Most of the time, I will import a post from this blog, to keep things going, and see if anyone reads it.
That was one of the difficulties at Medium: finding the audience and getting reads. It is a site that does all the SEO stuff for you. If it did, I’m not sure that it helped in any way. It sounds like a good idea, just post and trust the algorithm to find readers for you, but I can’t say it worked well for me.
I tend to do my own SEO and keywords on this blog, with a little help from ChatGPT. AI is useful in that regard. In fact, I would say that I get a better response doing this myself on my own blog than I did relying on Medium's algorithm.
Every writer is told, sooner or later, to find their authentic voice. That we should try to write true to the person that we are. For me, that is good advice, because my authentic voice is a simplistic one. It has to be given my background. I’m not sure that I could change it to anything else, even if I wanted to.
Let’s start at the beginning.
At school, writing was something that we had to do, once we had learnt to write, that is. For me, I don’t recall being a natural when it came to writing. If anything, like most things at school, it was a chore. I tended to prefer lessons like games or art.
Writing could be hard work, especially the grammar side of it. Turning an idea, a story, into something that read as it sounded in my mind did not come easy to me. I’m tempted to say that is still the case. I have to work on that all the time.
One of the things that I have noticed about grammar checking software (especially AI), is that it doesn’t always recognise the authentic voice when making recommendations.
A writer rarely enters a room without quietly taking notes. Not with pen and paper; that would be too obvious, but with something far more instinctive. I find myself observing what is going on around me, and the potential for a story forms in my mind.
A writer notices the way a conversation develops or stalls, the glance that lingers too long, and the sigh that says more than words ever could. The looks on the faces of everyone in the room, friendly or grumpy, hostile even, every room has its own look and character.
I was in one such room last Friday, when I had to pay a visit to a local hospital. A hospital waiting room is not a place where most people would want to be. Uncertainty about our health takes most of us there, unless you were in support or there to assist someone.
The hospital was busy; they always are, but the first thing I had to do was find the waiting room. Report to Ward 34, I was told by my local surgery. I diligently wrote down the details, including a long abbreviation that must have been code for something. It was the only writing that I had done for a few days.
Ward 34? I began to wonder about all the other wards (33 of them), and then how many more there were after 34. The hospital was a big place. I arrived at the main reception, where I noticed someone, who looked like he might be a volunteer, advising others on where to go.
“Do you know where you need to go to?” He asked.
“Ward 36.” I replied, without realising that I had given the wrong number.
“I’ll take you to the lift. From there you go to the second floor and turn left, and the waiting room for Ward 36 is at the end of the corridor.”
I recently caught a winter cold, which turned into an infection, or it came with it, just before Christmas. It was just a cold, or so I thought.
The common cold had taken a backseat in recent times, as COVID-19 got all the headlines. But it has been around a long time; there are about two hundred strains of it. It was just waiting its turn, or a new strain was around. Old or new, I got it from somewhere.
And it was a lingering cold.
A continuous cough is not just something that comes with COVID-19; mine from this simple cold lasted three weeks, and I’m still not over it. The cough pounds away at the rib cage — it’s like going ten rounds with Mike Tyson at his peak.
It all meant that I struggled to write. That’s the way it is when I’m ill. I might have good intentions, that having all that time, I will write. In reality, that doesn’t happen. Being ill drains any desire to do anything, other than to get over it.
You eat a meal without tasting a bite. You read a message twice and still don’t absorb it. Watch a YouTube video, without taking it in. Somewhere along the way, you forget to write. The hours drag on.
And this is where writing lives.
To be a writer is to exist half a step removed from the world, constantly translating experience into language in a way that, hopefully, someone will like and understand. The writer is always watching, listening, and storing fragments away in the mind for future use. Even in moments of rest, or illness, thoughts are working, shaping sentences, rehearsing conversations, rewriting endings that never happened.
This is the art of it.
I never used to check my writing with an AI detector before joining Medium. And even when I first published on the platform, I didn’t check.
But then I read a few stories from writers who indicated their writing, or some of it, had been flagged as AI by an AI detector checker. I thought that I had better check my stories just to see.
For the most part, they pass with a big zero.
But occasionally, I receive a return that tells me that anywhere from 3% to 10% is most likely AI. My usual reaction is, “Really?” Often, it is only one line, one sentence, or at most a paragraph. Occasionally, it may consist of just a few words.
I ask myself why would the detector think that an occasional line in a story of several hundred words, or even a few thousand, is most likely AI-written? What is it about the words that makes the detector algorithm think that it has been written by AI? And typically it will say, 100% certain.
For example, the line below.
Of the two, I prefer the astronomical summer because it lasts longer!
It was part of a story I wrote about the two end dates of summer in the UK, meteorological and astronomical. I wrote it for the reason given; the end date of the astronomical summer is later than the other date.
It was a simple enough sentence. Anyone could have written it. But the detector thought that AI wrote that line. It didn’t make sense to me. Was it because I had used a fancy word like ‘astronomical’? Or maybe it was the exclamation mark at the end? Perhaps AI did not think that a human would write that way, to emphasise being happy?
In 2022, I wrote a book called Son of My Father.
I remember the moment the title came to me. I was pacing around my home, thinking — searching for a phrase that might hold the whole story together. Titles can be elusive things, they are jotted down, forgotten, some look great, then they don’t. I had a handful of ideas, each discarded for one reason or another.
None seemed to bring the chapters together in the way I wanted.
At one stage, I had an idea that I felt could really work — to open each chapter with a subheading drawn from a song of the time. A piece of music that had shaped not only my personal experiences, but also the atmosphere of the era I was writing about. I imagined each song acting as a lyrical thread connecting memory, mood, and meaning to the story.
Then reality intervened. Copyright.
Yes, “fair use” might have allowed me to borrow a few lines, but even that felt like a legal grey area. The deeper I looked, the more it became a potential minefield of permissions and costs. Reluctantly, I let the idea go.
Still, once music had entered the conversation, I couldn’t get it out of my head. Songs have a way of unlocking memory, and as I sifted through those from my past, one stood out: Son of My Father, a 1972 hit by Chicory Tip.
I can’t say the band were favourites of mine, nor that the song had any special place in my life at the time. I remember it being played on the radio and Top of the Pops, but I was more into music by T Rex, Slade, Sweet and ELO. Years later, the song — and something in its story — resonated. It felt as though it was an ideal title for the book.
Here’s the song:
Because although my book isn’t solely about my relationship with my dad, he is the presence that runs through it. The man, the mystery. As he left my life almost fifty years ago now, the book is most of what I know about him.
Writing Son of My Father was, in part, an act of discovery — not just about the past, but about what remains when memory fades and imagination takes its place.
Read more reflections like this here.
Image by Tibor Janosi Mozes from Pixabay
Welcome to the modern age.
The age of the short attention span.
Was the last sentence too long?
Maybe so, but it was shorter than this one.
By a couple of words.
I recently read an article that had over one hundred one-line sentences in it.
Most were short sentences, but it had the occasional long one, like the last sentence above and this one.
I got a brain freeze halfway through.
I couldn’t cope with it.
By line twenty, I had lost track of what the article was about.
Where was it going?
Did it have any meaning?
And what’s wrong with using a paragraph occasionally? I might start now. The humble paragraph has been used throughout history; why shouldn’t it be used? What did it ever do wrong to offend people?
Actually, I’m having some fun. I don’t mind the occasional one-line sentence in my writing.
It can make a point.
Or not.
Short and to the point.
Do you have a happy place? A place you can go to where you feel better just by being there?
I found a happy place, and it was on my doorstep.Just a few minutes walk from my home, there is a wildlife park. It is a large park with artificial lakes, and I frequently take walks there. Walking in the park has become part of my regular exercise routine. It also helps to clear the mind.
The park is a place where I go to escape the real world.
Back to nature.
I find that early morning is the best time to go, before the rest of the world wakes up. Apart from the occasional dog walker, it often feels like I am the only person in the park. That suits me fine, as there is a silence early in the morning that I haven’t noticed at any other time. That might just be me, but most of the time the only noise comes from the birds.
I’ve also walked through the park at night, early evening, mainly because it is a shortcut to another area of the city where there is a shopping centre. In winter, to say that it is dark at that time would be an understatement. While the lights of the city can be seen in the distance, the park is in total darkness. A torch is an absolute necessity. Despite the darkness, I have never felt unsafe, but it can be a spooky adventure!But there are other benefits.
Until recently, I was not aware that Tipp-Ex, the correction fluid, was still available.
I have not used it in years.
There was a time when I was a regular user. It was a necessity.
For me, that was in the days of pen and paper, long before the arrival of the personal computer and laptop. And for some time after they became available, they were expensive to buy, as was a typewriter or word processor.
I tried using a typewriter, but I soon discovered that I was never going to master it.
I was left with a pen and paper.
But before Tippex, writing anything could be problematic, as mistakes stood out.
At school, most of the time, I did not know that I had made a mistake. My English teacher was the grammar checker. She would return my essays with many red marks and notes in the margin.
She would comment that I needed to improve in certain areas.
“Could do better.”
So many boys had the same three words written on their essays.
One day I noticed that a friend of mine had a little white plastic container. He was applying, via a small brush, that was part of the lid top, a white liquid to his essay.
Once dried, you could write over any mistake.
Maybe with this magic liquid I could do better?
Of course, you do have to know that you have made a mistake, and checking words using a dictionary was very time-consuming. More so if the alternative was being outside playing football with my mates.
I decided to find five English proverbs that best describe the writing journey.
Free image by Queena Deng from PixabayHere’s what I chose.
"The pen is mightier than the sword."
If you can write and tell a story, then you have a powerful weapon. This has been known throughout history. It is why the enemies of words try to ban or burn books, and why the writer is often seen as dangerous.
Become a writer and challenge the world.
"A picture is worth a thousand words."
Pictures do sell products.
It is probably why publishing companies and authors spend considerable time thinking about the cover image of a book.
Good writers paint a picture with their words. Is there a better feeling than finding a story that paints a picture in your mind when reading?
I had a moment yesterday, when I started to question what I was doing. It was very specific, concerning a project that I have been working on since late last year, when I decided to try my hand at writing fiction.
The end result is now within sight. I am writing the final chapter and conclusion.
However, yesterday I was on Twitter X, and noticed in my timeline there was a tweet asking about books written from a first-person perspective. The question was, what did people prefer, first or third person? Many replied, saying that they did not like first-person books at all. It seems to be like marmite, you either like it or you don't.
I had not given it much thought, but I was writing this book in first-person. I did so for the following reasons.
I am struggling to find the time to read any of the books on my "to read" list.
The struggle exists because most of my spare time I now spend writing, or researching for writing.
Image by wal 172619 from Pixabay
I have four writing projects in progress right now.
The following article and story can be found on Medium.
I have, what you might call, a love-hate relationship with grammar check software. We all make mistakes when we write. I know that I do. The mistakes are corrected during editing, but...
Well, that looks ominous.
I had finished writing, and I thought to myself, I will stop there for now.Then I looked at the word count.
Photo by Lucas van Oort on Unsplash