The Writer's Life: Finding Your Authentic Voice

 

Every writer is told, sooner or later, to find their authentic voice. That we should try to write true to the person that we are. For me, that is good advice, because my authentic voice is a simplistic one. It has to be given my background. I’m not sure that I could change it to anything else, even if I wanted to.

Let’s start at the beginning.

At school, writing was something that we had to do, once we had learnt to write, that is. For me, I don’t recall being a natural when it came to writing. If anything, like most things at school, it was a chore. I tended to prefer lessons like games or art.

Writing could be hard work, especially the grammar side of it. Turning an idea, a story, into something that read as it sounded in my mind did not come easy to me. I’m tempted to say that is still the case. I have to work on that all the time. 

One of the things that I have noticed about grammar checking software (especially AI), is that it doesn’t always recognise the authentic voice when making recommendations.

The Writer's Life: The 4000 Weeks of Life, How Do You Plan to Use Them?

I was reading an article recently about the average life span. It informed me that, on average, we have about 4000 weeks of life. From birth to death, we have 4000 weeks to live.

If you’re reading this at age forty, you have around 2,000 weeks left to live. 

At sixty, which I reached five years ago, it is approximately 1000 weeks. 

It’s a startling thought when you first encounter it. Not because it’s dramatic, but because that is the calculation. Most lifetimes, at least in advanced industrial nations, stretch to roughly 80 years — about 4,000 weeks. By midlife, at the age of forty, half of those have already slipped quietly behind you, often unnoticed; time has just passed.

But the average life expectancy will be different depending on where you live in the world. There are many factors that will determine how long we might live, and they are not equal across the world.

So, I looked into the numbers a little deeper.

According to the United Nations, the current average age at death for people across the world is around 73.3 years, which is 3822 weeks. For women, the average is 76 years (3963 weeks/912 months), and for men, 70.7 years (3687 weeks/848.4 months). It is well known that women, on average, live longer than men.

Weeks are an uncomfortable unit of measurement, and 4000 does seem a lot. Years can feel generous, decades abstract. But weeks are tangible. They are ordinary, repetitive, something that we feel and easy to waste. It is seven days of life — the here and now — they come and go. 

Many of us spend the first half of life building careers, working, raising families, chasing stability, and waiting for the “right time”. Somewhere along the way, we forget to ask what we actually want our remaining weeks to look like. We assume there will always be more time later.

There won’t.

Our time on this planet is finite, and the clock is always ticking. Life is full of numbers and averages.

The Writer's Life: The Writer As An Observer of Life - A Hospital Visit

 

A writer rarely enters a room without quietly taking notes. Not with pen and paper; that would be too obvious, but with something far more instinctive. I find myself observing what is going on around me, and the potential for a story forms in my mind.

A writer notices the way a conversation develops or stalls, the glance that lingers too long, and the sigh that says more than words ever could. The looks on the faces of everyone in the room, friendly or grumpy, hostile even, every room has its own look and character.

I was in one such room last Friday, when I had to pay a visit to a local hospital. A hospital waiting room is not a place where most people would want to be. Uncertainty about our health takes most of us there, unless you were in support or there to assist someone.

The hospital was busy; they always are, but the first thing I had to do was find the waiting room. Report to Ward 34, I was told by my local surgery. I diligently wrote down the details, including a long abbreviation that must have been code for something. It was the only writing that I had done for a few days.

Ward 34? I began to wonder about all the other wards (33 of them), and then how many more there were after 34. The hospital was a big place. I arrived at the main reception, where I noticed someone, who looked like he might be a volunteer, advising others on where to go.

“Do you know where you need to go to?” He asked.

“Ward 36.” I replied, without realising that I had given the wrong number.

“I’ll take you to the lift. From there you go to the second floor and turn left, and the waiting room for Ward 36 is at the end of the corridor.”

The Writer's Life: When Illness Strikes - The Art and Fear of Being a Writer

 

I recently caught a winter cold, which turned into an infection,  or it came with it, just before Christmas. It was just a cold, or so I thought.

The common cold had taken a backseat in recent times, as COVID-19 got all the headlines. But it has been around a long time; there are about two hundred strains of it. It was just waiting its turn, or a new strain was around. Old or new, I got it from somewhere.

And it was a lingering cold.

A continuous cough is not just something that comes with COVID-19; mine from this simple cold lasted three weeks, and I’m still not over it. The cough pounds away at the rib cage — it’s like going ten rounds with Mike Tyson at his peak.

It all meant that I struggled to write. That’s the way it is when I’m ill. I might have good intentions, that having all that time,  I will write. In reality, that doesn’t happen. Being ill drains any desire to do anything, other than to get over it.

You eat a meal without tasting a bite. You read a message twice and still don’t absorb it. Watch a YouTube video, without taking it in. Somewhere along the way, you forget to write. The hours drag on.

And this is where writing lives.

To be a writer is to exist half a step removed from the world, constantly translating experience into language in a way that, hopefully, someone will like and understand. The writer is always watching, listening, and storing fragments away in the mind for future use. Even in moments of rest, or illness, thoughts are working, shaping sentences, rehearsing conversations, rewriting endings that never happened.

This is the art of it.

The Writer's Life: Whatever Happened to Storytelling? We All Need Stories.

Whatever happened to storytelling?

It’s a question I’ve found myself asking quite a lot lately.

I read that people want real stories, the personal, authentic glimpses into someone’s life. I was watching a YouTube video on this yesterday, and I thought, “Yes, I’ve been there.” But scroll through your average feed, and you’ll see something else entirely. A parade of how-to guides: how to write better, how to be more productive, how to succeed at something (anything!), how to do this and that.

Then there are the ‘how-to’ stories — which, ironically, often don’t contain much storytelling at all.

They all seem to follow the same formula:

• Identify a problem.
• Explain why it matters.
• Offer a neat solution.
• Finish with a motivational takeaway and a promise of success.

And that’s fine, for a certain type of writing. There’s a huge audience for that kind of thing. The self-help and “personal development” world is thriving. But that’s not always storytelling. That’s instruction. It has a purpose — but it’s not quite the same as sitting someone down and saying, “Let me tell you what happened to me one summer…”

Or, “I wrote a book of good stories that might offer a life lesson or two. Hopefully, you enjoy the read.”

A story doesn’t need to solve a problem. It doesn’t need to teach you how to fix your life or build a better version of yourself. Sometimes, a story just needs to help the reader drift off into a different world for a few minutes — escapism.

But surely, storytelling is, and always has been, about entertainment.